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I spent the majority of my listening time with the Bel Canto REFLink, comparing it to my current reference, the Empirical Audio Off-Ramp 5 with a Short-Block USB dongle. And as I discovered during the review, the “best” USB solution depended on which DAC the USB device was attached to and which digital inter- face methodology was used. For all my A/B tests I used identical 3-meter lengths of AudioQuest Carbon USB cable between my Mac Pro and the USB converters and identical lengths of Wire-world S/PDIF cable between the USB converters and the DAC. For my first comparison I used the April Music Eximus DP-1 DAC/pre and connected the Empirical Audio and Bel Canto USB devices via S/PDIF. After several consecutive days of listening I was unable to discern any noticeable sonic differences between the two USB converters. Both delivered slightly more precise soundstaging and imaging than the DP-1’s own USB interface, but I could not consistently distinguish one from the other in “blind” tests. Next, I replaced the DP-1 with the Bel Canto DAC 3.5 VB.
Once more I had two S/PDIF inputs for A/B comparisons, as well as Bel Canto’s AT&T glass optical connection. Once more, during blind comparisons between the Empirical Audio Off- Ramp and REF Link using the S/PDIF, I could not reliably tell one from the other. But when I compared the Rifling’s AT&T optical with the Off-Ramp’s coaxial I could consistently hear differences between the two converters. The AT&T glass optical input rendered depth more convincingly with greater image solidity and dimensionality than the either unit’s S/PDIF. The last conventional DAC/pre I tried with the Ref Link and Off-Ramp was Wyred4Sound’s DAC2. On their S/PDIF connections both USB boxes once more I could not reliably identify which USB converter I was listening to.
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But when I connected the Off-Ramp 5 via its I2S HDMI input I noticed a change that noticeably increased the Off-Ramp’s fidelity. Through I2S the Off-Ramp had a slightly increased image size, as well as greater solidity. Also when I used the I2S’ connection with the Off-Ramp, my own live 192/24 concert recordings sounded more relaxed with a better sense of individual harmonic textures and greater spatial cohesion. The last system I used for A/B comparisons was the NAD C 390DD digital integrated amplifier.
Once again I compared the two units’ S/PDIF feeds and once again was unable to tell the two units apart during blind listening sessions. But I could readily tell the difference between them and the NAD’s own internal USB connection. Both the Empirical Audio and Bel Canto USB were better.
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USB Made Simple? So what sonic conclusions could be drawn from all this listening? The changes and sonic improvements wrought by a USB converter are not merely a function of the device, but also of how it interacts with the DAC that it is connected to. I obtained the best sonic results from the Bel Canto REF Link when it was coupled to Bel Canto’s own DAC 3.5 VB via its AT&T glass optical connection. Ian poulter cobra drivers for mac. The only situation where the REF Link failed to equal or surpass the Empirical Audio Off-Ramp 5 was when the Off-Ramp 5 was connected to a Wyred4Sound DAC 2 via its I2S connection. In both situations when one of the USB converters sonically excelled, it was because it was hooked up via its “best” connection to a device that supported that kind of connection.